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© Griffith Aaron Baker |
Artists
Curators
Lectures French Document
Orange Off French Document
Satellite Activities French Document
Movie Nights
Publications
Precedent editions
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Special Thanks
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Curators
Lectures French Document
Orange Off French Document
Satellite Activities French Document
Movie Nights
Publications
Precedent editions
Location
Special Thanks
Team
Links
Thierry Arcand-Bossé
Griffith Aaron Baker
Dean Baldwin
Ron Benner
Michel Boulanger
Cosimo Cavallaro
Cédule 40
Daniel Corbeil
Nikolaus Geyrhalter
Joseph Kohnke
Simon-Pier Lemelin
Shelly Low
Troy David Ouellette
Griffith Aaron Baker
Dean Baldwin
Ron Benner
Michel Boulanger
Cosimo Cavallaro
Cédule 40
Daniel Corbeil
Nikolaus Geyrhalter
Joseph Kohnke
Simon-Pier Lemelin
Shelly Low
Troy David Ouellette
GRIFFITH AARON BAKER
Griffith Aaron Baker was born in Regina in 1981. His work is a critique of the lax attitudes of North Americans towards waste management. Through his sculptures, composed mostly of plastic materials, Baker calls into question our relationship with objects, which we consume and throw away profusely. At ORANGE, he examines our postmodern consumption habits in the new work Petro Max'd. This piece, made up of a great number of plastic bottle caps, is an expression of the consequences that the enormous quantity of objects we produce can have. By withdrawing these bottle caps from the cycle of consumption, Baker hopes to challenge the viewer, leading them to think about the kind of consumer they are in everyday life and thereby to become aware of the effects of the choices they make.
Griffith Aaron Baker was born in Regina in 1981. His work is a critique of the lax attitudes of North Americans towards waste management. Through his sculptures, composed mostly of plastic materials, Baker calls into question our relationship with objects, which we consume and throw away profusely. At ORANGE, he examines our postmodern consumption habits in the new work Petro Max'd. This piece, made up of a great number of plastic bottle caps, is an expression of the consequences that the enormous quantity of objects we produce can have. By withdrawing these bottle caps from the cycle of consumption, Baker hopes to challenge the viewer, leading them to think about the kind of consumer they are in everyday life and thereby to become aware of the effects of the choices they make.